ICONS: Eikoh Hosoe

© Eikoh Hosoe

On May 6, 2010, Eikoh Hosoe was presented with the 18th-Annual Medal of Honor for Lifetime Achievement in Photography by the National Arts Club. This great evening was hosted by Master of Ceremonies Dr. Stanley Burns, President O. Aldon James, Jr., and Catherine Johnson, Chair of the Photography Committee, with whom I work very closely. The unbelievable list of previous honorees names some of my favorite artists, including Duane Michals (1994) and William Eggleston (2003).

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Phase One Camera System

Last week, Capture Integration let me test out a wonderful combination—the new Phase One 645DF with the P 65+, the world’s first full-frame medium-format digital back. We had the privilege of using it on one of our studio’s largest production shoots to date, and the images that we got with are incredible, to say the least. They provide an amazing level of detail and sharpness, far beyond even the most high-end DSLR systems that we normally use.

Phase One 645DF Medium-Format Camera

The shoot we had borrowed the camera for was originally scheduled for three days. But when the models for the first shoot were detained at the Canadian border, I was able to use the downtime to get a one-on-one technical workshop taught by Doug Peterson, Capture Integration’s Head of Technical Services in Miami. The new version of Capture One’s amazing software allows for such fine and consistent control of color management, details, calibrations, as well as the ability to gauge your depth of field in a quick and efficient manner. The interface is so smooth and quick that it is an absolute pleasure to be able to see well-calibrated and polished proofs just seconds after the shutter clicks. You can also use Capture One for tethering with Canon, Leaf, and Nikon cameras, which can help make the transition from Canon to Phase One feel like a very natural progression.

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LEVIATHANS behind the scenes: The Siren’s Song

The sea monster for my first LEVIATHANS shoot was torn between two worlds. Sirens have often been mistaken for a kind of mermaid, sitting upon a rocky shore or swimming very nearby, luring sailors to their deaths with its song. In later Greek mythology folklore, Sirens are sometimes portrayed as aquatic and mermaid-like, and in fact, the Spanish, French, Italian, Polish, Romanian, and Portuguese words for “mermaid” are Sirena, Sirène, Sirena, Syrena, Sirenă and Sereia. Even in biology, the order Sirenia is comprised of fully aquatic mammals, including the dugong and manatee.

John William Waterhouse, Odysseus and the Sirens (1891)

The Sirens were actually portrayed as three bird-women parented by the river god Achelous and Chthon, otherwise known as Mother Earth. These dangerous beauties resided in a flowery meadow on an island, perpetually calling after their father who had gone to the sea and left them all behind. Another story had them banished to the island (possibly the Isle of Capri) after losing a singing contest with the Muses, and so they took out their frustrations by luring sailors to swim ashore, pouncing on them and ripping their flesh with their talons, then adding their bones to the piles already littering the island. Yet another tells of their ultimate demise, throwing themselves into the ocean after Odysseus passed without succumbing to their song.

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LEVIATHANS behind the scenes: Stories of Sea Monsters

I’m a big fan of the work of William Blake (1757-1827), an English poet, painter, and printmaker (three of my greatest passions!). His paintings and writings all have a sharp apocryphal edge to them that I find really interesting. You are probably familiar with his painting “The Great Red Dragon And The Woman Clothed With Sun,” which was a pivotal part of the plot to the 2002 film Red Dragon. But his work went largely unknown during his lifetime, and due to his entrenchment in mysticism and enlightenment philosophy (including modern anarchism), he was considered mad by most of his peers. (Plus he often spoke of seeing “visions” from an early age, but who am I to judge?) Later critics and artists have come to revere Blake as a master without equal.

I happened upon his painting “Behemoth and Leviathan,” which is part of his series of illustrations based on the Book of Job. The inscription he used from the Bible is incredibly creepy: “Behold now Behemoth, which I made with thee.” Blake’s extensive use of symbolism included designating the right hand as good and the left as evil. In this painting, God is clearly pointing at these creatures with his left hand.

William Blake, "Behemoth And Leviathan" (ca. 1805-1810)

But why did Blake only draw attention to the Behemoth with the inscription? I felt quite certain that it was due to the fact that the Behemoth was some kind of hellish creature, and that the Leviathan was some figment of one of Blake’s visions, perhaps based on some mythological sea creature mixed with childhood nightmares.

I was wrong.

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LEVIATHANS: Naga

Fig. 45.—Monachus Mare, lured into deep sea cage with walrus blubber, June 25, 1871. The head clearly means to trick prey into not seeing its true size. And to think that J.S. believed it an Architeuthis dux!

Visit LEVIATHANS to view the photo series and to read behind-the-scenes features!

LEVIATHANS: Siren

Fig. 87.—Sirenia Alcaecaelia, caught in our fishing net, July 16, 1871. Note the partial metamorphosis of the spine. One of only three known specimens ever captured alive!

Visit LEVIATHANS to view the photo series and to read behind-the-scenes features!

1,000 Facebook Fans!

The HUSVAR page on Facebook hit 1,000 fans this weekend! Thank you to everyone for visiting—and there are many more exciting images to come!

HUSVAR PHOTO SHOOT APRIL 21-22 IN DOWNTOWN BUFFALO STUDIO

***PRESS RELEASE***

Local fine artist/photographer Sean HusVar is currently completing pre-production for two high-profile photo shoots, with the resulting images intended for release sometime later in 2010.

The ambitious back-to-back shoots, which are part of a much longer photographic series, will take place all day Wednesday, April 21 and Thursday, April 22 at HusVar Studios, located at 268 Main Street, Suite 103 in downtown Buffalo. In addition to some local talent, the large-scale production is also bringing in numerous cast and crew from Toronto and New York City.

HusVar’s latest work continues to thematically explore his own surreal versions of classic pop culture icons. His latest completed series, WONDERLAND, supposes an alternate story line for Alice, all grown up but melancholy with longing for the dreamland of her childhood.

Feel free to contact Julie Colvin, Director of Public Relations, at 716.310.7147 or by e-mail at julie.colvin@husvar.com with any questions, comments, or requests.

Visit the official HUSVAR website at http://www.HUSVAR.com for more information on Sean and his work.

THE COLLECTOR: Peter Beard’s Diary

PETER BEARD: DIARY (FROM A DEAD MAN’S WALLET: CONFESSIONS OF A BOOKMAKER)
Peter Beard & Kotaro Iizawa
Designed by Tsuguya Inoue
Tokyo: Libro Port Publishing Co., Limited First Edition (1993)

During my recent visit to the Palm Springs Photo Festival, I had the pleasure of meeting Joshua Simpson. He’s the Gallery Associate at LeadApron, a Los Angeles creative agency that supports and promotes an extraordinary roster of past and present artists. Joshua invited me to view their collection of rare photography art books, and it was truly one of the most amazing collections I’ve ever seen.

One book in particular just about leaped into my hands. It was profusely illustrated in color and black-and-white, and full to bursting of hand-written notes, photographs, sketches, found items, and more. I was thrilled to find out that it was Peter Beard’s diary.

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ICONS: Marilyn Manson

© Marilyn Manson

Multimedia artist and provocateur Marilyn Manson has been a consistently subversive force in American popular culture for the past 15 years. Since his first nationally released album Portrait of an American Family, he has waged continuous aural wars against religion, the state, corporations, and the status quo. His second album, Antichrist Superstar, catapulted his career and put him squarely in the sights of conservative america. The album was a reflection on the growing pains of an artist, a commentary on both fame and the expectations it brings. Manson’s no-holds-barred approach to musical activism is often maligned by his critics and blamed for everything from school shootings to teenage suicides. However, his insightful responses in media interviews have shown his deep understanding of the concepts that he opposes.

Marilyn Manson interview with Bill O’Reilly:

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